Our view on preset music – brutal, raw, unique! Noisebud, 2010, January 13 We just received a e-mail from Native Instruments, they where kind enough to think we would be interested in stealing sounds from an underpaid producer that probably is less talented and has less technical skill then us. Why would anyone buy a sound library. I know people buy them cause it would be pointless to produce them otherwise, but who? If I knew that a producer used this library I would rather buy the library, there’s where the original work is, not in his copied and pasted music. What’s unique with this, is it only produced in one copy? Blog
You can stop making music now… 2011, April 19 Once in a while you see something so amazing, crazy, intelligent and brilliant that you start to feel that all your own efforts are worthless, I had one of those today when I saw a short clip with a Norwegian musician who call him self Captain Credible. I was looking for a ‘hard to… Read More
Another fresh take on live electronics 2011, September 14 Even if Tristan Shone could use some more practice with his fantastic music controller monster you get the idea watching this video shot by Augie Arredondo. We would definitely pay for a concert just to see this thing live on stage (maybe followed by a workshop where you had the opportunity taking this thing for… Read More
What’s so f*ng special with the Lemur? 2011, September 28 The Lemur is dead, and has been for a couple of months (we don’t talk about the animal but the versatile control surface from Jazzmutant) . Dead in the sense that Jazzmutant don’t make’em anymore, but it ain’t dead to us. People often ask us what so special about it now when… Read More
We actually use one prefab loop from Apples loop library. We made it obvious by putting it as the hook in one of our songs like a kind of statement! People like that track… Hmm…