There are dynamic plugins that compress.
There are those that expand.
Some clip. Some gate. Some limit.
Peach can do all of that, depending on how you set it up.

Peach is a dynamics Swiss Army knife.
This update doesn’t change how it behaves at the core. What it does is give you proper tools to decide where, when, and how the processing kicks in. Same engine, but now you’ve got a steering wheel.

What’s new?

Channel focus in SCF and Output Filter
Both the Sidechain Filter and the Outgoing Filter now let you choose if Peach should listen to or process the Left, Right, Mid, or Side part of the signal. That means you can target only sibilance in the side channel, control low-end energy in the mid, or any combination you can think of.

Clipper oversampling
Each clipper (Upper and Lower) now has oversampling options: 2× and 4×. Oversampling reduces aliasing when clipping harder. X4 uses more CPU, but the difference can be noticeable when pushing the signal.

Curve control
There’s now a Curve knob that shapes the transition between the Above and Below gain states.
Value 1 gives a linear transition
Values below 1 create a slow-start-fast-end fade
Values above 1 do the opposite
It’s a way to tune how Peach moves, not how fast. It works together with the Up, Pause, and Down controls.

Mute Above / Below
You can now mute either part of the signal completely. Useful when you want to solo only the material above or below the threshold, or turn Peach into a gate by muting the Below section entirely.

Changelog v1.60

• Added channel selection (L/R/M/S) to SCF (Sidechain Filter)
• Added channel selection (L/R/M/S) to Output Filter
• Added oversampling (2×/4×) for both Upper and Lower Clippers
• Added Curve control to shape transitions between Above and Below
• Added Mute buttons for Above and Below
• Updated GUI to support new features
• Updated manual
• Internal polish and tweaks

Changelog v1.61

• Fixed the gain change that occurred at times when activating the loudness compensation

Download for Patreons:
https://www.patreon.com/posts/74683988

___

Ways to get Noisebud plugins:

Become a Patron – $6/month
Get instant access to almost all plugins. There are just a few exceptions reserved for higher paying tiers. You don’t need to stay subscribed. Once you download a plugin, it’s yours to keep. However, if you want to grab an update later on, you’ll need to be an active Patron again (or choose one of the options below).

One-time payment – $30
Buy a single plugin via the shop on Patreon. This license includes all minor updates up to the next major release. For example, buy v1.00 and you get v1.01–1.99 free. Upgrading to v2.00 requires a new purchase.
Note: This option only gives you access to the specific plugin you buy.

Lifetime Access via the Download Hub – $129
Pay for the Download Hub post on Patreon and unlock downloads of all the setup files. That’s almost everything I’ve made and will make. Just like with the $6 tier, a few plugins might be exclusive to higher tiers, but otherwise you get full access to the entire library, including all future updates, for as long as I keep developing plugins and stay on Patreon.

Formats:
Mac – VST3 & AU (signed and notarized)
Windows – VST3

Hi Patreons,

I have great news for macOS users (especially Logic lovers)! I started to sign, notarize, and staple Mac releases so that AU plugins function properly on the latest versions of macOS. Along with this update, I’m releasing three updated plugins that all should run on silicon Macs:

• Purr-Lufs: Fixed a problem that could occur in certain scenarios.

• Fräs: Updated the loudness match function for more reliable performance.

• Talc: Added two new features:

  • Fill: Generates soft high-frequency noise to complement the existing high-end.

  • “-F₀”: Removes the fundamental frequency from the distortion boost.

Additionally, I’ll be updating the Download Hub to clearly show “(AU signed and notarized)” next to plugins that have been updated. If you need a signed and notarized AU version of a plugin, look for that indicator.

Enjoy the updates, and let me know if you want me to speed up a signed and notarized version of a specific plugin. They’ll all be signed and notarized eventually.

Download for Patreons: https://www.patreon.com/posts/74683988

Hey Patrons, I’ve updated Fräs with a few magic additions:

New Features & Improvements

• Magic – Certain parts of the signal path will utilize Mid/Side processing. Sometimes, this works like magic. Other times… not so much.

• The Messitte Filter, again… – After spending some time with v1.11, I realized that my previous tweaks to the Messitte Filter could unintentionally turn the plugin into a high-shelf booster. What was once a darkening effect had now evolved into a high-frequency lift. The culprit? The built-in loudness compensation, which constantly adjusts for perceived loudness. If the distortion attenuates low frequencies, the loudness compensation counteracts by boosting the signal, mimicking a high-shelf EQ. This has now been corrected.

• Global Loudness Compensation – Fräs has always incorporated loudness compensation for the distortion part of the signal—it’s part of its core design. However, since the Below control modifies gain when the signal falls below the threshold, and the Makeup gain adjusts levels when the signal exceeds the threshold, both of these impact perceived loudness after the distortion stage. You can now compensate for these interactions by pressing Loud-C. Use an intense part of the song and let the music play for about 3 seconds before you lock the value by pressing the button.

About Fräs

Fräs (or Fras, as it will appear in your DAW) is a new approach to saturation with an analog feel. The saturation algorithm isn’t that special, I mean, I like the sound of it and I spent a fair amount of time tweaking it to my liking. But, it’s not the sound of the saturation that makes this plugin stand out, it’s how it is applied dynamically to the audio that makes a difference. Fräs is built on the same frame as Shape2 Advanced. They’re both based on waveshaping and how they apply the effect dynamically is based on the same concept (you’ll recognize the layout and look from Shape2 Advanced). But the similarities stop there. Especially the dynamic bypass section can be used creatively in Fräs to place the distortion in the signal as you wish, while in Shape2 Advanced, it’s there to bypass the plugin in sections without low-end or less energy. The dynamic bypass used together with the ‘Below’ and ‘Makeup’ gain will also turn Fräs into a dynamic processor well suited for what you normally use a compressor for in mastering. I don’t mean the type of compression you add to keep a signal in control, I mean the kind of compression you do to make the music live. Fräs shines at this; Do the control of dynamics with the compressor of your choice, and then bring back life using Fräs.

Fräs is only available as VST3 for now. AU will be added as soon as I find the time to go through Apple schnapple’s crazy process for signing and notarizing stuff.

Complete walkthrough using v1.00:

https://youtu.be/bYc_i7irm60?si=ylRNsUW-wC9UnzBr

Manual:

https://docs.google.com/document/d/1tSWYAJNHF5m-Lzwh6J4a3mOcmRhmPbbWVUQFn_anCNk/edit?usp=sharing

Available as VST3 for macOS and Windows

Download for Patreon’s:

https://www.patreon.com/posts/74683988

Hey,

Here’s a short but effective Reaper script to automatically create a V-shaped volume automation curve (6ms wide) at the cursor position for the selected track. I wrote it for a project to edit out clicks but you do you!

Key Features:

• Dynamic Volume Adjustment: The script inserts three automation points:

  • Point 1: 3 milliseconds before the cursor, set to the current volume level.

  • Point 2: At the cursor, reduced to silence (0% volume).

  • Point 3: 3 milliseconds after the cursor, returning to the original volume level.

• Automation Lane Management: If no automation lane exists, the script will create a volume automation lane. When executed on an existing automation lane, it applies the V-shaped curve to that specific lane.

• Exponential Curve: The automation follows an exponential curve, ensuring smooth and natural transitions that effectively suppress clicks without compromising the surrounding audio quality.

How to Use:

• Select the Target Track: Choose the track where you want to apply the automation.

• Position the Cursor: Place the play cursor precisely at the point of the unwanted click or noise.

• Run the Script: Execute the script to automatically insert the V-shaped automation curve at the cursor’s position.